Photo by Allan Tannenbaum. Not moving an inch. The image becomes painterly, totally encompassing, like a hologram. Warhol was there before my time, in the late 60s. When someone shares their earthly appearance, you are humble and you don’t abuse it. The atmosphere in the Back Room was so overwhelming. care much about the concept of rehab, so they simply partied to the max, Ray Johnson, John Vacarro, Lou Reed, all the Dolls, all the Factory staff, but not Warhol. They wore every colour in the rainbow. The '70s patented the idea of dancing as a It was a real Beckettian situation. How would you describe the perspective? 6 / 30. Where does SNY stand amid Steve Cohen’s Mets takeover? They would detach and sit at every table, as if suddenly multiplied. The window was by Michael Heiser. Lou Reed talking with Michael Pollard. As he remembers, the best time to work was late at night, when the famous and the infamous alike could come and let down their hair. Divine talking with Charles Ludlam. Posts Tagged. They were all wonderful, self-constructed women, so comfortable under their new skin. 1973, soon to be joined by Hurrah in '76 as a haven for bands and the He made friends with some busboys on staff, and they said it was the best job in America. Photo by Allan Tannenbaum, Andy Warhol and Divine at the re-opening of the Copacabana, 1976. discos (Crisco Disco), but also mixing with the other team at clubs like Tiger Morse talking with Taylor Mead. In 1970, Croatian émigré, Anton Perich arrived a Max’s, by way of Paris. Below, Perich speaks about those heady years, when it was impossible to tell the nights from the days. between the two worlds -- the glitz of 54 and the austere aesthetics of Two years later, Steve Mass opened the Mudd Bell-bottomed New Yorkers wearing platformed shoes, fur vests and feathered scarves and the dance moves they so freely hustled into has most recently been recreated on HBO’s “The Deuce.” Set in Times Square in the late ’70s, the James Franco/Maggie Gyllenhaal-fronted series puts its characters inside city clubs around the same time John Travolta was stayin’ alive in Bay Ridge’s “Saturday Night Fever.” On the show, a bar owned by Vincent (played by Franco) gives viewers a fictional peek inside the past. Diana Ross . He didn’t go there in during the 70s, after he was shot and barely survived. Clubs like Studio 54, Hurrah and Ice Palace 57 dominated the scene of the late ’60s and through the ’70s, when self-exploration was welcome under the fragmented light of a disco ball. Shouting: “Show Time!” Eric Emerson would do the same, and Taylor, and Jason Holliday. all-new rules, but it's the same feeling. Everyone was equal under the glitter dome, and as The full list would be hours long. If you've ever indulged in line dancing, tambourine shaking, glitter wearing and coke, you owe a heavy debt of gratitude to the 1970s. it harkens back to a time when disco hits -- which were big on the This was something extraordinary, and I was given the privilege to see it and to capture it. Other notables at the club. The pure desire to share what I saw. Mudd -- loving them both because of their unique electrical charges. A crowd outside Studio 54, 1978. The real blood was spilled, as the sculpture foretold it. Connecting the two places was an affinity for great music, glamour and Suddenly the music was colourised. I saw Jackie lighting Candy’s cigarette for hours. Andrea Feldman would jump on the tabletop and dance on the shattered glasses. For the next two years, Perich would fill in when someone called out. Bettmann/Getty Images. narrow-tie-wearing punks who preferred minimalist dancing and posing to Actor Al Corley was a doorman during the late 1970s. Magically still arriving at your remote destination. That's when nightlife put on a happy face to combat the jaded air of ennui that loomed over the culture like a rain cloud. our bookings there, which was fine). standard that some (admittedly denial-prone) partiers still strive for counter-trend, so new-wavy dance clubs emerged to cater to Gays were considered quite fab at this time (a new development, in the Bar had a hovering sculpture by Forest Myers. And since Top 40 pumps out of a lot of dance clubs these days, It was the longest running discotheque in Manhattan at the time it closed in 1982. But when Andy Warhol and his entourage started hanging out in the back room, Max’s quickly became the place to be. They moved from my camera to my heart. Each zone had prominent art. 74 posts; 1,488 followers; 176 following; Le Club New York Lounge A sophisticated dining bar and lounge featuring craft cocktails, and small plates from Michelin-starred @christophe_bellanca @latelier_robuchon_nyc leclub-newyork.com. today. At the Long Wall was Donald Judd. Three decades before the Club Kids ruled New York City’s wild underground parties, there was disco and its blinged-out, flare-pant inhabitants. 54, the runner-up disco Xenon and other cathartic hot spots like Les nothing that some dance clubs are still called "discos." No one knew about health hazards to come, nor did they Mesmerising. crossover charts -- played and we squealed with recognition, then Below, we look back at the scene by way of rare photos of late artists, bands, drag queens and more.
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