Redon had a keen interest in Hindu and Buddhist religion and culture. Odilon Redon grew up near the massive Pyrénées mountains in southern France and their image recurred throughout his work. [8], Domecy also commissioned Redon to paint portraits of his wife and their daughter Jeanne, two of which are in the collections of the Musée d'Orsay and the Getty Museum in California. Odilon Redon was born on April 20, 1840, in Bordeaux. Odilon lived on his uncle's estate in Peyrelebade until 1851, and he spent summers there from 1874 to 1897. At his father's wish Redon started to study architecture in 1860. The Cyclops, 1914, Kroller-Muller Museum, Otterlo, The Netherlands. His father was a rich French colonist in the southern United States ; his mother, of French descent, was from New Orleans . Fifteen of them are located today in the Musée d'Orsay, acquisitioned in 1988. Here, on an enormous die, a melancholy eyelid winked; over there stretched dry and arid landscapes, calcinated plains, heaving and quaking ground, where volcanos erupted into rebellious clouds, under foul and murky skies; sometimes the subjects seemed to have been taken from the nightmarish dreams of science, and hark back to prehistoric times; monstrous flora bloomed on the rocks; everywhere, in among the erratic blocks and glacial mud, were figures whose simian appearance—heavy jawbone, protruding brows, receding forehead, and flattened skull top—recalled the ancestral head, the head of the first Quaternary Period, the head of man when he was still fructivorous and without speech, the contemporary of the mammoth, of the rhinoceros with septate nostrils, and of the giant bear. Odilon Redon was born in Bordeaux, Aquitaine, to a prosperous family. The woman seen here, for example, leans forward and casts her eyes downward as if in resignation. Redon had created large decorative works for private residences in the past, but his compositions for the château de Domecy in 1900–1901 were his most radical compositions to that point and mark the transition from ornamental to abstract painting. Back home in his home town of Bordeaux, he took up sculpture, and Rodolphe Bresdin instructed him in etching and lithography. I notice their amazement when they meet me. In fact, Redon was quite deliberate in his choice of papers, and they do vary considerably. His father was a rich French The next day I let the other source run, that of imagination, through the recollection of the forms and I was then reassured and appeased. Not until 1890 did Redon produce his first pastels and oils. [16], The Grand Palais in Paris, France featured a vast exhibition of Redon's art from March to June 2011 [17], The Fondation Beyeler in Basel, Switzerland showed a retrospective from February to May 2014. Back in his native Bordeaux, he took up sculpting, and Rodolphe Bresdin instructed him in etching and lithography. When I am alone, I love the open highways; I talk with myself alone. This page was last changed on 17 April 2013, at 20:06. His process was explained best by himself when he said: I have often, as an exercise and as a sustenance, painted before an object down to the smallest accidents of its visual appearance; but the day left me sad and with an unsatiated thirst. “Odilon Redon: Prince du Rêve,” the massive show at the Grand Palais, is at its heart a print exhibition. By using our website you accept our conditions of use of cookies to track data and create content (including advertising) based on your interest. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. [2] Redon was conceived in New Orleans and the couple made the transatlantic journey back to France while his mother Marie Guérin, a French Creole woman, was pregnant. I paid heed to him. The next day I let the other source run, that of imagination, through the recollection of the forms and I was then reassured and appeased. As you will see below, they are full of dark, fantastic figures from nightmares, or skewed imagination, however you call it. They place us, as does music, in the ambiguous realm of the undetermined. [2] The young Bertrand Redon acquired the nickname "Odilon" from his mother's first name, Odile. All Rights Reserved. An archive of Mellerio's papers is held by the Ryerson & Burnham Libraries at the Art Institute of Chicago. Failure to pass the entrance exams at Paris’ École des Beaux-Arts ended any plans for a career as an architect, although he briefly studied painting there under Jean-Léon Gérôme in 1864. He makes full use of the rich colours of pastel to create a glowing and almost abstract design that evokes the effect of music. Redon started drawing as a young child, and at the age of 10 he was given a drawing prize at school. Redon's next lithographic series were Homage to Goya in 1885 and The Night in 1886. National Gallery of Art, Rosenwald Collection, 1958.8.198. The mystery and evocativeness of Redon's drawings are described by Joris-Karl Huysmans in the following passage from the novel À rebours (1884): Those were the pictures bearing the signature: Odilon Redon. These drawings defied classification; unheeding, for the most part, of the limitations of painting, they ushered in a very special type of the fantastic, one born of sickness and delirium. During 1870-1871 he served in the Franco-Prussian War. He himself wanted to place "the logic of the visible at the service of the invisible". At the end of the war, he moved to Paris, working almost only in charcoal and lithography. 1900-10, (Princeton University Art Museum), Initiation to Study: Two Young Ladies (vers 1905) Dallas Museum of Art, oil on canvas 93 x 65 cm, Apparition, 1905–10, (Princeton University Art Museum), Chariot of Apollo, c. 1910 (Musée d'Orsay), Portrait of Violette Heymann, 1910 (Cleveland Museum of Art), Saint Sebastian, 1910–1912, (National Gallery of Art), Pandora, c. 1914 (Metropolitan Museum of Art). Arthive is a community of artists, collectors and art dealers. Odilon Redon was born Bertrand Jean Redon to a prosperous family in Bordeaux.
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