Condition Report: An iteration of Boxes of Air, an airy lattice steel-structure, will continue to grow throughout the duration of the show, eventually tripling in size. The artist makes a swift, impassioned pivot to politics, a subject he’s been long engaged in. I identify strongly with many of the Abstract Expressionists who were immigrants. Gouache sur papier 16 David Carrier be distinctive, just as each human being is individual. d’une création Paris and Geneva: Editions du Cerf, Editions d’Art The vehicle employed by Scully to achieve his ends is paint. The second break was when my parents were at war with the church because they worked seven days a week and were poor. My painting, however, is a compression. I don’t think an abstract painting is something you worship. Though the works mask the hardship So the painting is immediate, since it’s painted aggressively by hand, yet it is difficult, because it is compressed. In his Theory of Colour 1810 Goethe investigated not only the physical properties of colour but also their moral effects.20 It is little wonder that Scully’s stated artistic debts are to masters of colour, in particular Mondrian, Matisse and Rothko. Provenance: Nicholas Gallery, Belfast Private Collection, Estimate: of light’ Art in America vol. Abstract art is always a ‘harder sell’ than representational works the Spiritual in Art and Painting in Particular (1912) 1947 p.51. Copyright Sean Scully. 1999 p.69. Sean SCULLY (Né en 1945) His love of the written word is reflected in the titles of some of his works with their references to literary sources, such as the work of Joseph Conrad and James Joyce. I always found it bizarre because you couldn’t have two more uncomfortable bedfellows.’. It’s not about having an idea [but] rather being able to express it in painting. In fact it incorporates it in a built up, imperfect surface surrounded by complex and uncertain edges. Heaven sent: introducing Sophie Bille Brahe’s celestial new jewellery, Notting Hill’s Sister Jane Townhouse is a theatre of whimsy, Introducing the November 2020 Issue of Wallpaper*, Snøhetta unveils ultra-sustainable workspace in Norway, Colour and texture combine in Sebastian Herkner’s ‘Let’ lounge chair for Fritz Hansen, Bulgari and David Chipperfield unite for Rome’s Torlonia Marbles exhibition, Jonathan Anderson’s self-isolation reading list, Enough of Trump billboard campaign gains traction ahead of US election, Shore thing: SMR Days designs resort wear for everywhere, Bosco Sodi on Minimalism, imperfection, and the emotive power of art, Natural high: escape to the Clark Art Institute’s first-ever outdoor exhibition, Photographing the defiance and opulence of Europe’s contemporary Ballroom scene, Wallpaper* presents a joyful collaboration between Veuve Clicquot and Yayoi Kusama, I do! Signé, titré, daté et numéroté "24/30" $1,500 - $2,500. Scully’s ambivalence towards organised religion, he would love to make Estimate: ‘I probably did the biggest stretch in the history of the art world’ declares the 75-year-old artist. Photography: Michael Richter. Description: The work of Sean Scully affirms our need and capacity as human beings to have spiritual affiliation with each other. His works are currently the subject of an exhibition Sean Scully at the National Gallery of Ireland which marks the artist's 70th birthday. 11 Willem de Kooning, NIX PHOTO. Wallpaper* is part of TI Media Limited. 17 Sean Scully, interview In its chapel-like revised edition, London: Penguin 1989 p.1. en.mng.hu, Share your email to receive our daily digest of inspiration, escapism and design stories from around the world. Matisse had set the chapel precedent with his late masterpieces 24/25 Provenance: The Kerlin Gallery, Dublin (label vesro), Description: But to what does he attribute his success? The artist shows no sign of sitting still. It is as if the spirituality in art stepped off a pedestal, or from behind a sheet of glass, and has joined the world of the living. side of contemporary art, where there seems to be even less concern for art Then, on the other side of the estate, reflecting in the azure L-shaped pool, is an imposing rectangular volume, made of locally-sourced stone and marble cubes stacked together, rendering the composition of the Wall of Light paintings. Our condition report has not been prepared by a professional conservator, restorer or engineer. His work does not imply, as that of his contemporary Barnett Newman does, the end of the figure-ground relationship; rather a radical new way of exploiting it, without having to tell stories.7, Here Scully implies that his own application of blocks and stripes of colour is akin to Rothko’s use of coloured floating forms — Rothko called them ‘organisms with volition and a passion for self-assertion. Conversely, it can be said that all reality is open to abstraction: Request to receive a Condition Report for this item or any items in this auction by contacting the seller. The perseverance required to pursue a constant routine of painting with such apparently limited subject matter is indicative of Scully’s stubborn, resolute character. Meanwhile, the sculptures are installed outside in the grounds, poetically echoing the linearity of the estate and its grooming beams (it is the first time that Scully’s sculptural work is shown in Latin America). Ferdinand Studio. Sean Scully New York: Hudson Hills Press 1990 p.16. At his mother’s ‘When you’re working with a great artist, there’s room to be more nuanced, and make installations like this.’. New York: George Earlier this year, Scully’s insets turned uncharacteristically black. ‘I was welcomed by many; I was also un-welcomed by many,’ he says. Throughout it all, he kept painting. As in a church, Scully’s paintings Condition Report: signed, titled and dated 'Sean Scully/1980/#2' (lower right) Copyright Sean Scully. He found karate, in which he gained a black belt in 1988, to be a good complement to the discipline required for his painting. #2 boy learned about ‘this valley of tears’. €2,000 - €4,000, Description: - Vente Paris, Artcurial Briest-Poulain-F.Tajan, Hôtel Marcel Dassault, 2 décembre 2014, lot 386 whole becomes abstracted into parts; those parts into even smaller parts. Spirituality doesn’t have to look clean. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. It’s really absurd to make an image, like a human image, with paint, today, when you think about it, since we have this problem of doing or not doing it. cottonbro. Scully, as he says, came from abject poverty. Scully’s approach to art is bolstered by an infectious, and seemingly infallible self-belief. § SEAN SCULLY (IRISH/AMERICAN B.1945) LARGE MIRROR II Etching and aquatint, signed, inscribed and dated '97, numbered 35/40 90cm x 62cm (35.5in x 24.5in). Writing before the Holly series was painted, Carrier For many years Scully's works have achieved some of the highest prices paid for a living artist and he is undoubtedly the most successful Irish born living artist. In 1983, while traveling through Mexico, the Irish-born, American artist Sean Scully made a series of watercolours inspired by the stacking of stones in Pre-Columbian and vernacular constructions. Consisting of eleven slabs of Murano glass, Stack looks as if Scully’s more vibrant painted units have dropped off the canvas, lost all opacity and re-stacked themselves in perfect order. Interviews / 11 days ago. Abbeville Press 1986. I’m interested in art that addresses itself to our highest aspirations. So I fear that I have to follow my desires.11. romantics were prompted’ Possibilities no.1 Winter 1947–48 ‘What I love about stone, is that you’re not actually fabricating, you’re only reorganising what’s already there,’ explains the artist pensively. Jewellers make wearing your mask both practical and chic. It seems entirely appropriate that Scully should today be teaching in Munich, home of the celebrated Lenbachhaus, with its glorious collection of works of the Blaue Reiter group, and particularly its display of the work of Kandinsky. Photobooks / 16 Oct 2020. 48 x 65,5 cm fig.1) Scully quoted this famous statement in a perceptive review of the Rothko 76.5 x 60cm (30 1/2 x 23 5/8 in) sheet; 24 x 10.5cm (9 1/2 x 4 1/8 in) image This characteristic, with his energetic layering of colour upon colour, causes the surfaces of his paintings to vibrate and to ‘open’ up before the viewer. We hand-picked all photos to ensure that they are high-quality and free. £4,000 - £6,000, Estimate: It’s early September and a plague of flies has just descended on a farm in Mooseurach, Germany where Sean Scully has a studio. If Joe wins, this will prove that if when I put a billboard up, the person wins. exhibition at the Whitney Museum of American Art, New York, 1998, and added Etching on paper. Signed and dated 1997. organisms, to use Rothko’s analogy. © TI Media Limited. As he declared in 1979, in the first major critical account of his work: The catalogue of the landmark exhibition, The Spiritual in Art: Abstract painting 1890–1985, organised by the Los Angeles County Museum of Art in 1986, makes not a single mention of Sean Scully.2 This is remarkable, given that Scully had already acquired a reputation for work that powerfully evokes the human spirit. Sean SCULLY (Né en 1945) HARRIS - 1991 Huile sur toile Signée, datée et titrée deux fois au dos "Harris, Sean Scully, 1991" h: 76 w: 101 d: 10 cm Commentaire : OIL ON CANVAS; SIGNED, DATED AND TITLED TWICE ON THE REVERSE, Estimate: London: Studio Vista 1971. Aquatint on China paper; signed and numbered; He insists that the art world, so distracted with the lure of commerce, reputation, shock value and the latest trends, should be forced to deal with his resolute presentation of the human spirit in painting. Artnews vol.84 no.9 November 1985 pp.104–112 (p.106). Acclaimed Irish artist Sean Scully has worked in every prestigious museum in five continents and his paintings sell for over €1 million. €1,500 - €2,000, Description: Dimensions of the illustration : 15 x 17,8 cm Dimensions of the paper : 26 x 36 cm Reference catalogue raisonné : Martino n°93004 Recto/verso photo on request, Estimate: Influenced by Op art and Minimalism he developed his own style of intersecting lines, ribbons and grid systems. SEAN SCULLY (b.1945)Red FoldLithograph, 23 x 17cmSigned, inscribed and dated (20)'06Edition 33/50, Estimate: That’s why I can’t do figurative painting — I think figurative painting’s ultimately trivial now. ‘The interesting thing about glass is it’s a wall you can see through. entretien avec le frère Rayssiguier, 24 October 1948, in Marie-Alain Couturier, A compression of form, edge, weight and colour that participates in this density. But then all of a sudden it was even more absurd not to do it. New leaf: the art books worth a double take. WALL OF LIGHT ORANGE Aquatint, paper size 22'' x 30'' (56 x 76cm), signed, inscribed and dated 2000, ed. It allows you to think without making oppressively specific references, so that the viewer is free to identify with the work. ‘I fell in love with the country, and with its ruins,’ the charismatic, 72-year-old artist tells me as we stroll through San Cristóbal’s iconic, pink-walled stables. 13 Sean Scully, interview with Hans-Michael Herzog ‘The beauty of the real’ Sean Scully (exhibition catalogue) Milan: Charta 1996 pp.55–131 (p.71). Just as life’s relationships can be made and broken — the birth or death of a child, the loss of a parent, the end of a marriage, the leaving of a city, the leaving of friends — the abstract, coloured shapes in Scully’s paintings engage in relationships of harmony and disharmony. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. The title he gave to his review of the 1998 Rothko exhibition at the Whitney Museum ‘Bodies of light’ is too emphatic for his own work. The different, brightly tuned sean Michael Scully high screen photo can affect your spirit and produce sensation for you to be cool.
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