[36] It responded to revolts in the Balkans against the then ruling Ottoman Empire. She was the first successful American female composer of large-scale art music. She was one of the first American composers to succeed without the benefit of European training, and one of the most respected and acclaimed American composers of her era. 3 in G minor, to general acclaim: as biographer Fried Block comments, "[i]t is hard to imagine a more positive critical reaction to a debut," and her audience was "enthusiastic in the extreme. "Amy Beach, a Pioneering American Composer, Turns 150". [28] It has been suggested that the piece suggests Beach's struggles against her mother and husband for control of her musical life. She was able to sing forty songs accurately by age one, she was capable of improvising counter-melody by age two, and she taught herself to read at age three. "Beach's piano concerto will take center stage", Meyer, Eve Rose. [14], Beach was married the same year (1885) to Dr. Henry Harris Aubrey Beach (1843-1910)[15][16]), a Boston surgeon twenty-four years her senior (she was eighteen at the time). The words of about five each are her own and those of H. H. A. A large number of those performances were with the composer at the piano, most notably during a lengthy tour in 1916 and 1917 with the Kneisel Quartet. [61], Beach spent the winter and spring of 1928–29 in Rome. Amy Beach did not have any children with her husband Henry Harris Aubrey Beach When was Amy Beach born? [48] About August 6, 1916, Beach, Franc, and Ethel left San Francisco together, leaving Franc's husband Lyman Clement behind, a "fifty-year-old marriage broken apart", for unknown reasons. It was the first symphony by an American woman composer to gain public attention, written at a time when American composers of either gender were a relative rarity on the international scene. "[26] Composer George Whitefield Chadwick (1854–1931) wrote to Beach that he and his colleague Horatio Parker (1863–1919) had attended the Gaelic Symphony's premiere and much enjoyed it: "I always feel a thrill of pride myself whenever I hear a fine work by any of us, and as such you will have to be counted in, whether you [like it] or not – one of the boys. "Amy Beach and Her Chamber Music: Biography, Documents, Style". [31] Critical reception in New York was mixed, but in Europe, it was better: composer and pianist Teresa Carreño performed the piece with violinist Carl Halir in Berlin, October 1899 and wrote to Beach: I assure you that I never had a greater pleasure in my life than the one I had in working out your beautiful sonata and having the good luck to bring it before the German public...(I)t really met with a decided success and this is said to the credit of the public. In 1900, the Boston Symphony premiered Beach's Piano Concerto, with the composer as soloist. Top Answer. [55], In 1924 Beach sold the house in Boston she had inherited from her husband. Another orchestral piece, Bal masque, has a solo piano version. "[49] In 1918, her cousin Ethel "developed a terminal illness," and she spent time taking care of her, as Franc, at age 75, "could hardly" do so by herself.[50]. 47 (1901), Video (20:54) "Theme and Variations" Op. Facts about Amy Beach 4: a self taught artist. [75] In 2000 Joshua Kosman of the San Francisco Chronicle also lauded the composition, writing:.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 40px}.mw-parser-output .templatequote .templatequotecite{line-height:1.5em;text-align:left;padding-left:1.6em;margin-top:0}, Its four movements are packed with incident – beautifully shaped melodies (several of them drawn from her songs), a forthright rhythmic profile and a vivacious and sometimes contentious interplay between soloist and orchestra. One such recital was reviewed in arts journal The Folio, and multiple agents proposed concert tours for the young pianist, which her parents declined – a decision for which Beach was later grateful. Her mother sang and played for her, but attempted to prevent the child from playing the family piano herself, believing that to indulge the child's wishes in this respect would damage parental authority. 270, White Pine no. with the words written by Ruth Comfort Mitchell, Chapter BZ/California. [45] Beach eventually recovered the trunk and contents in 1929. Beatie, Rita. [58] There she became the virtual composer-in-residence at St. Bartholomew's Episcopal Church. Her father, Charles Cheney, had died in 1895. As a pianist, she was acclaimed for concerts she gave featuring her own music in the United States and in Germany. 113–22, gives an extended treatment of the sonata with selections from the score. 44 is perhaps Beach's best-known work. [17][47] In 1915, and again in 1916, Beach visited her aunt Franc and cousin Ethel in San Francisco, who by then were her closest living relatives. [43] In a further concert in Breslau, only three of Beach's songs were on the program, fewer than in Munich. Beach's contributions included about thirty songs inspired by folk music, including Scottish, Irish, Balkan, African-American, and Native American origins. 80542, Summit No. Pianist/composer Beach wrote … [5] Beach often commanded what music was played in the home, becoming enraged if it did not meet her standards. "The Year's At the Spring" from Three Browning Songs, Op. With the addition of Beach, they collectively became known as the Boston Six, of whom Beach was the youngest. Our editors will review what you’ve submitted and determine whether to revise the article. While continuing to get income from her compositions published by Arthur P. Schmidt, during 1914–1921 she had new compositions published by G. Schirmer. Beach, an eminent surgeon, Harvard University professor, and devoted amateur musician. The ‘Beach’ family moved to Boston in 1875 and local piano teachers, Ernst Perabo and Carl Baermann, were appointed as Amy’s piano trainers. [59], She used her status as the top female American composer to further the careers of young musicians. [21], A major compositional success came with her Mass in E-flat major, which was performed in 1892 by the Handel and Haydn Society orchestra,[22] which since its foundation in 1815 had never performed a piece composed by a woman. 34: Late 20th century and early 21st century revival and reception, Letter of July 16, 1820, in Hensel (1884), I 82. 40, the Romance Op. "[44] She was greeted as the first American woman "able to compose music of a European quality of excellence. [6], In 1875, the Cheney family moved to Chelsea, a suburb just across the Mystic River from Boston. [17] Amy Beach is buried with her husband in the Forest Hills Cemetery in the Jamaica Plain neighborhood of Boston, Massachusetts. Aside from concert tours and the time of Ethel's illness until her death in 1920,[51] Beach also spent part of her time in New York. Mrs. H.H.A. Beach. "[18] The marriage was conditioned upon her willingness "to live according to his status, that is, function as a society matron and patron of the arts. [63] In March 1929 she gave a concert to benefit the American Hospital in Rome, in which her song "The Year's at the Spring" was encored and a "large sum of money" was raised.
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